The southeast's premier Pink Floyd Tribute, Interstellar Echoes, pride themselves on accurately reproducing the legendary catalogue of Pink Floyd. Obsessed with the sounds, sights, and lore of this global music icon; Interstellar Echoes go to great lengths to provide a meticulously researched, fully immersive live experience consisting of classic staples, as well as deep cuts that will please even the most die hard Pink Floyd fan.
Nimbleslick is a full service entertainment company offering artist management, artist booking and event production. We specialize in up and coming artists, established artists, and producing unique, engaging events for both artist and fan, and an eye for technological innovation with regards to our client's careers and success. With a combined total of over 50 years in the entertainment industry, our staff is eager to work with you in developing your project.
Known for their high-energy shows, the band mixes a fierce rhythmic foundation, dual guitar solos, and an Appalachian tinged mix of genres that makes standing still nearly impossible. By focusing on musical intricacy and creating seamless improvisation, Fletcher’s Grove has captured the imaginations of thousands in the Mountain State and beyond.
Fletcher's Grove has hit the festival season's hard playing festivals like All Good Music Festival, Hookahville, Summer Camp Music Festival, The Werk Out Music Festival, Highland Jam, Kind Roots, Hookahnanny, Hookah in the Hills, Masquerade Ball, Camp Barefoot, WV State Fair, Mon Arts Festival, Woodlands Spring Jubilee, Live on the Levee, Recipe Family Cookout, and Halloween Masquerade Ball.
Fletcher's Grove plays over 100 shows and festivals a year, sharing the stage and line-up with bands such as Furthur, Primus, Yonder Mountain String Band, Umphree's McGee, Dark Star Orchestra, Gov't Mule, Rusted Root, Papadosio, The Werks, Ekoostik Hookah, EOTO, STS9, The New Mastersounds, Larry Keel and Natural Bridge, Cornmeal, Great American Taxi, and number of other talented artist.
Groove-heavy and Genre-bending, The Georgia Flood’s music has evolved over the years. Their new album, People Like Ourselves, draws on indelible melodies, clever lyrics, and an infectious energy; weaving together an EP that hits all the right notes. The Atlanta based duo, Lane Kelly and Brooks Mason, are brothers who began playing when they were seven and nine years old respectively. Hustling birthday parties and family reunions the brothers changed sounds numerous times through their teens. Drawing on their exploration of numerous genres, their songwriting channels classic guitar driving riffs with modern pop sensibilities.
Self-financed, the band went into Jason Hoard’s Black Cat Studio to put together the seven songs contained within their new EP. Don’t let the EP status fool you though, the band toiled over 30+ tracks to carve out their favorites, coalescing into seven songs that journey through themes of love, good times, and tragedy. “We had a really tough time choosing just a few,” explains Brooks, The Georgia Flood’s lead guitar player and singer,.“We had so many songs that really brought the listener to amazing moments.”
“Whistle King,” the records infectious first single, encompasses much of what the record is about. “On the surface it seems sort of nonsensical and fun but the song really describes how crazy our lifestyle is on the road,” explains Lane, who plays bass and sings harmonies. “Playing in an indie band is a constant state of discovery, and lyrically, “Whistle King” exemplifies much of that exhilaration and frustration.”
After the record’s release on December 2nd, The Georgia Flood will be touring throughout the Southeast into the New Year. With a dynamic live set, the band intends to bring their music to ears the good old fashioned way, one club at a time.
Today Nimbleslick Entertainment, in association with Bridge Road Entertainment, is pleased to announce that blues-inspired modern rock siblings Jocelyn & Chris Arndt are joining their exceptional roster of artists.
Known for high-energy live shows and stirring, deeply-felt original music, Jocelyn & Chris Arndt perform coast to coast with their band. Their recordings, featuring special guests including G Love and Gov't Mule's Danny Louis, have garnered airplay on more than 200 radio stations in the US. The Arndts' live album "30,000 Miles," released in January, debuted earlier this month at #8 on the Relix Jambands Top 30. Their upcoming full-length "Go" will be released to radio in early April.
Hot, sweaty dance floors with feet stomping and every body moving. Grooves for days. Monster horns, crushing percussion and shredding psych-rock guitars.
These are among the elements that make up the Five Alarm Funk experience. The Vancouver-based band is eight men strong and over a decade deep into a career that has seen it release five acclaimed albums and burn up stages across the country on six national tours. And this vehicle isn’t about to slow down. In fact, Five Alarm Funk is just picking up steam. Set to release their 6th studio album, Sweat, on March 3, 2017, Sweat gets right to the roots of what Five Alarm Funk is all about. Epic, intense arrangements, heavy groove and a ton of fun.
Don’t be fooled by the name: there’s more to Five Alarm Funk than, well, funk. Just ask drummer Tayo Branston, who says that, although they are rooted in the style that gives the outfit its name, he and his bandmates thrive on being able to transcend that genre by seamlessly mixing in elements of Gypsy rock, Latin music, ska, and even prog-metal. “I would say that it’s intense, passionate, and fun, genre-spanning music that really anybody can get onboard with,” Tayo says. “It’s got such an array of different sounds, and you can tell that each player has his own individual take and input into each track.”
Need proof? Take a listen to any of Five Alarm Funk’s studio albums, which include Anything Is Possible (winner of Instrumental Album of the Year at the 2011 Western Canadian Music Awards), Rock the Sky (which was nominated for Instrumental Recording of the Year at the 2013 WCMAs and Instrumental Album of the Year at that year’s Juno Awards) and their 5th studio album, Abandon Earth (winner of Instrumental Recording of the Year at the 2015 WCMAs).
In 2016, Abandon Earth’s, single Robot was nominated for a Leo Award for music video of the year. The band also released their first live album/DVD ‘LIVE’ In The Moment in 2016 and toured across Canada and the USA in support.
Five Alarm Funk hit the studio last winter with Producer Ben Kaplan (Mother Mother, Biffy Clyro) to create their new album, Sweat. The album features 12 of the funkiest tracks the band has ever written. Tayo shares; "Ben is not only an amazing producer and engineer, but a great friend and family member of FAF. His style and input are incredible. I love walking into the studio, sitting in the captain’s chair, and getting run over by a freight train of sound."
With the new album in hand, FAF has big plans to take on the entire planet. "Sweat embodies over a decade of dedication and determination. It defines Five Alarm Funk's spirit to perform and relentless push. We've done cross stage backslides in Taiwan on it, seen it drip from the rafters in Saskatoon, and have crowdsurfed waves of it Coast to Coast. We live it, breathe it and love it. SWEAT!"
Sneaky Pete and the Secret Weapons is a collective of musicians channeling original music through a lens of hazy funk and unending groove, all witnessed and interpreted from the peaks and valleys of the Rocky Mountains. Their genre-blending sound of funk, rock, jazz, and hip-hop moves from the streets of New Orleans to smoky jazz dives, exotic Latin ballrooms, intergalactic spaceships, and late-night laser-filled clubs.
Initially drawn to Jackson Hole with a shared passion for skiing and mountains, the group formed in late 2011 when friends Jack Tolan (guitar/vox) and Sam Lowenthal (bass) got together with the vision of "making funk noises," and featured a rotating cast of 'Secret Weapons' playing small gigs in Jackson, WY. With the addition of Bobby Griffith on trumpet, the band had their breakthrough performance on December 21st, 2012, a legendary party known as “the FUNKapocalypse.” By the next fall, with the addition of keyboardist Galen Karnatz, it was time to hit the road and take their sound beyond the towering walls of the Tetons. They quickly built a reputation for high-energy performances and sweaty dance floors across the western US, taking to the road with repeated tours and expansion into new markets outside of the “Hole”.
In December 2014, SPSW released their debut album, Breakfast, which received airplay across the US, reaching number 5 on the Relix/jambands.com radio charts. Relix magazine featured the album and proclaimed, "their tight, practiced musicianship is on display, and a pulsing groove remains the foundation for the majority of the 12 songs..."
2016 brought a new rhythmic drive to SPSW when New Orleans native Phil Walker took over on drums. With their newly solidified lineup, the group began writing more music and released their 2nd effort, a 6-track EP titled Dojo, which was featured on NPR’s “Here and Now”. This rock solid 5-piece foundation has been touring the West Coast and Rocky Mountains for the last year, turning heads and igniting dance parties up and down the country.
The future shows no signs of slowing down, with plans for SPSW to record a new full-length record this Spring along the banks of the Hoback River in Wyoming. The band continues to evolve, and this upcoming album promises to be the best yet. Stay tuned for more from SPSW, the future looks to be funky!
Resinated is a band from St. Petersburg, Fl. The quartet is a 4 piece pop act w/ reggae and funk influences. The guys known each other for over 10 years. They grew up on the beaches from Madeira to IRB. Kenny Mullins is a singer-songwriter from Madeira Beach, Florida and pursued Resinated as an acoustic act until reuniting w/ high school music friends and skim boarders, John Gray (Bass/Vocals) and Josh Hasak (Percussion). Singer-songwriter and high school friend, Jeff Applefield(Keys/Vocals) joined on keys and back-up vocals.
St. Pete has become a home for Resinated and they have gained radio, festival and social media exposure, building a large fanbase of "Resinators".
Resinated visits a group of genres including pop, soul, funk, reggae, alternative and jam.
Resinated's first album "Be Yourself" (unreleased) recorded in June 2011 at Audio Impact of Clearwater, Fl w/ engineer Andy Wombach and producer Kenny Mullins.
Resinated released "Hand's off" EP in December 2012. Recorded at Sound Lounge Studios in Orlando, Fl with producer Kenny Mullins, Greg Shields and engineer/producer Mike Stebe. Mastered by Mike Stebe.
Resinated released "Smoke Signals" LP on Right Coast Records owned by Howi Spangler of Ballyhoo! in February 2015. Recorded at Sound Lounge Studios in Orlando, Fl with producer Kenny Mullins, Greg Shields and engineer/producer Mike Stebe. Mastered by Mike Stebe.
Resinated has put their stamp on the East and West coast markets over the past 3 years. Have toured w/ Ballyhoo!, Collie Buddz, The Wailers and a lot of similar acts in the reggae/rock/roots genre.
Sharing stages with many bands including Collie Buddz, Slightly Stoopid, Tribals Seeds, Steel Pulse, The Expendables, Ballyhoo!, Stick Figure, Iration, The Movement, Passafire, Maxi Priests, Pepper, Stephen Marley, Eve 6, Everclear, Erykah Badu, Taleb Kweli, OAR, and have played Blackwater Music Fest, Chillin Music Fest, Gasparilla Music Festival, Reggae Rise Up, and a ton more local and national concerts/festivals and always adding new ones to the roster.
Groove Fetish combines driving rhythms, seductive melodies, and incredible solos, with flavors of rock, fusion, funk and progressive. Top that off with soulful lead vocals and powerful harmonies, and you have the band Groove Fetish. Groove Fetish is a five-piece band from Wilmington, NC.. They will be releasing their first full length studio album next year while continuing to build a fan base in many markets across the country.
Eminence Ensemble is a prog-rock power quintet, founded in 2008. Born at the University of Colorado at Boulder, Eminence Ensemble has had the pleasure of growing up in the heart of the Colorado music scene. Now in their sixth year together, Eminence is cranking it up a notch with a plethora of national tour dates, new music, and a tighter sound than ever. The band has influences all over the board ranging from Rush to Steely Dan to Michael Jackson, so audiences can expect an explosive deliverance of multi-genre songs and performances from show to show. Some people choose to call it progressive, aggressive music for all ages.
With over 185 shows under their belt, Runaway Gin is the World's Most Active Phish Tribute Band. They play every Sunday at the Charleston Pour House and tour often. On July 4th, 2015, after the second show of the Grateful Dead GD50 run, Runaway Gin sold out the Hard Rock Cafe in Chicago - a 650 capacity venue - and catapulted themselves onto the national scene.
The members of Runaway Gin are long time Phish fans who have united with the goal of creating musical moments inspired by Phish. The band's song list is constantly growing and their improvisational and communication skills are constantly developing independently and together. Like Phish, Runaway Gin will never play the same show or jam the same way twice making every show a unique experience and every moment pure artistic creation.
Electric Love Machine (ELM) is best described as an outer space adventure through sound, infused with doses of electronic funk, traditional Americana and improvisational jazz, and whose foundation is built on a sense of community. Their first full-length album, XenofoneX, touches upon the aural sense, and travels through one’s heart, makes a stop in the brain, all while travelling across the cosmic plane.
ELM is part of a dedicated and diverse network of Live performance artists, acrobats, painters, graphic artists, musicians, fashion designers, and music lovers from in and around the Baltimore area who support each other and often perform together to make each show a profoundly unique experience.
Flying through their (fair-priced) interstellar journey, their tribe supports ELM not just in their hometown of Baltimore, MD, but also throughout the band’s multiple engagements spanning the Northeast, and future markets in the Southeast, Midwest, West, the Moon, and potentially our neighboring Andromeda Galaxy (dependent on contract negotiations).
In addition to the many hallowed halls ELM has had the extreme pleasure of playing, they have gratefully performed with jam monsters EOTO, Papadosio, Dopapod, TAUK, Turkuaz, Electron, and PPPP, and have played multiple sets at such fine festivals as All Good Music Festival, The Mad Tea Party, Moonrise, Camp Barefoot, The Werk Out, Domefest, and Lunar Bay.
Quaildogs breathe life into a distinctive brand of alt-country that recalls the genre’s heyday as a potent '90s niche, while at the same time reveling in classic, freewheeling rock & roll. Having managed to keep together a steady and unfaltering six-piece lineup since their 2011 inception, the band has developed a unique camaraderie and sound that has earned them opening slots for a diverse set of acts including The Handsome Family, Futurebirds, Moon Taxi, Roadkill Ghost Choir and the Dirty Dozen Brass Band—and all this before having released a proper debut full-length.
Which brings us to The Getting Old Factory. The intermittent, drawn-out recording sessions for the Atlanta band’s first LP—which took place during the summer of 2014—mirror one of the album's primary narratives: "The idea that if you’re a well-intentioned, hard-working person, you can make good in this world doesn't necessarily exist anymore," says guitarist Michael Barnhart. On the title track, singer/guitarist Rob Josephs juxtaposes the readily available blue-collar work of his father's generation with the bleak employment situation of recent years, which he and Barnhart experienced firsthand as they both lost their day jobs and struggled to find work. "I didn't take it well," Josephs says. "It was hard times."
But The Getting Old Factory (out Sept. 15) is an encouraging, uplifting record that transcends these grim realities. The group cut the album at Atlanta’s famed Glow in the Dark Studios, with Alex Lowe (Aretha Franklin, Cee-Lo, R.E.M.) mastering the final mixes at Red Tuxedo Studios. The sound that materialized exemplifies a work ethic hellbent on overcoming hurdles rather than succumbing to them. Its bedrock of battling hardships gives significance and purpose to Quaildogs' lively tunes.
On "The World Still Looks the Same," Josephs wearily croons, "Nothing to lose and even less to gain, weather the storm but he prefers to feel the rain" before an elated wave of violin swells into a rocking, triumphant outro. "Why Bother" is similarly embittered and cynical, but eventually develops into a rollicking motivator for change. "A lot of our songs, if you read the words, they're sad,” Barnhart says. “Sad ideas, sad events. But the music makes them sound happy. Sometimes you need a little sugar to make the medicine go down.”
The group's crowd-pleasing capabilities date back to Barnhart and bassist Lee Berg's teenage years, during which they played covers at middle-school dances and their high school's homecoming. While studying the music industry at Loyola University in New Orleans, the pair first met Josephs—but they didn't form Quaildogs officially until several years later, as Josephs ventured to New York after graduating. Once there, he circled the open-mic circuit for a short while, but by 2010 he’d had enough and appeared unannounced on Barnhart's Atlanta doorstep, guitar in hand. From there, a collaboration more than a decade in the making began to take shape. Berg, Banhart and Josephs easily sourced the rest of their crew from local musician pals—first Paul Brandon, who now handles mandolin, guitar and lap steel, then violinist Graham Terban and finally drummer Marvin Moate. They played their inaugural show in July of 2011, subsequently releasing a trio of lo-fi EPs.
In some ways, The Getting Old Factory happened organically. The original goal was to record a fourth EP, but the band soon realized the project had grown into a full-length. This led them to filter out the bluegrass-style numbers that had comprised their earlier work, fine-tuning the more straight-ahead country-tinged rockers as they refined their sound to create a wholly cohesive work. They've found sure footing in the culmination of that effort, and now—with a steady stream of club shows and festival appearances on the horizon—Quaildogs can lay claim to a fresh signature sound and a sharply focused sense of purpose.
Formula 5 brews up organic, funk filled grooves across New York state and throughout much of the Northeast, bringing an honest and classic sound to audiences. With thought-provoking and soulful lyrics, soaring melodies and an emphasis on tight instrumentation and improvisation, this band brings a familiar freshness to the term “jam band.”
Whether they are throwing down opening sets for heavy hitters like Twiddle, Dopapod, Spiritual Rez, and The Heavy Pets, or gracing the stages of Northeast festivals such as Catskill Chill, Disc Jam, The Big Up, Strange Creek, and Buffalove, Formula 5 has continued to grow rapidly - winning over new fans throughout the Northeast and beyond.
With their roots in jam, jazz, funk, blues, and bluegrass, this group is sure to satisfy your taste in music while making it truly their own. More information and a full list of tour dates at www.Formula5Music.com
Earphorik is a progressive rock, jam band based out of Fort Wayne, IN. The band was formed by Chris Treesh (guitar/vocals), Austin Robinson (guitar/vocals), Nolan Opper (bass), and Ryan Moreno (drums). Showcasing high-energy funk, vast genre ranges, and explosive peaks - Earphorik takes you to a whole new level of musical consciousness.
Formed in 2013 as a collaboration of several Fort Wayne area bands, Earphorik released their first album A Year From All Angles in August of 2014, available on all major listening platforms. The band followed up the album with the release of a live album recorded at Jake Cinninger's Boondock Studio in Niles, MI, which consisted of just one take bringing the magic of the live performance to life. It is being produced and mastered by Jake Cinninger and Jim Leep - a true one take analog experience! Stay tuned for the album release date announcement.
Earphorik has made a national presence in the midwest and beyond playing venues throughout the nation, and featuring big name sit ins such as Jake Cinninger (Umphrey's McGee), Beau Sasser (Kung Fu), Rob Chafin (The Werks), George Gekas (The Revivalists), Mike Greenfield (Lotus), Jesse Clayton (Fareed Haque), Holly Bowling, and Gerlach (Turbo Suit.) Along with these performance highlights, Earphorik has made waves in the festival cicruit with performances including two consecutive plays at Summer Camp Music Festival, Hyperion Music Festival, Taste Of Randolph, amongst a number of smaller festivals around the midwest. Be sure to catch Earphorik on the road and keep up with the latest news and updates at www.Artistecard.com/Earphorik
Athens, GA based booking agency, Nimbleslick Entertainment, will be expanding operations with a new office in Colorado.
The new office, located in Denver, will be overseen by recently promoted partner, David Limentani. James Servin and his client roster, which includes Greener Grounds, Liver Down The River, & Hog MaGundy, will also join forces with Nimbleslick.
Partner, Brian Huff, will oversee the company's headquarters in Athens, with Chad Denney continuing to serve as president of the agency, working between the two offices.